vdm16 

FWF project no. P 28353-G26

FWF project no. P 24075-G23

FWF Austrian Science Fund

Universitt Salzburg

Journal Articles

Gillion, Marianne. “Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the Missale Salisburgense (1492–1515).” Florilegium (forthcoming).

Gillion, Marianne. “Interconfessional Implications: Printed Plainchant in the Wake of the Reformation.” Music & Letters (forthcoming).

Kelber, Moritz. “‘Musikalische Denkmäler der Steinätzkunst’ oder die Säulen des Jubal.” Musik in Bayern 84 (2019): 5577.

Kelber, Moritz. Identitätskrisen. Musikfrühdrucke im deutschsprachigen Raum.Forum Musikbibliothek 9, no. 2 (2018): 18‒24.

https://journals.qucosa.de/fmb/article/view/500

Lindmayr-Brandl, Andrea, Caroline Atzl, Manfred Mittlböck, Bernhard Vockner, and Moritz Kelber. “Spatio-Temporal Analysis of Early Printed Music using Interactive Maps – A Templating Approach.” GI_Forum 2 (2018): 72‒84.

https://austriaca.at/8447-8inhalt/A07_FP_6143_Atzl.pdf

Lindmayr-Brandl, Andrea. “Gaudeamus, Bibe, Bibe! Singing from Partbooks with a Baton?” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 67, no. 1/2, A Festschrift for Jaap van Benthem on his 80th Birthday (2017): 213‒222.

Lindmayr-Brandl, Andrea. “Early Music Prints and New Technology: Variants and Variant Editions.” Fontes Artis Musicae 64 (2017): 244‒260.  

McDonald, Grantley. “Printing Hofhaimer: a Case Study.” Journal of the Alamire Foundation 7 (2015): 67–79.